Vol. 13, No. 4 (2023), English Language and Literature Studies

• • “Feminism Passed Her By”: A Feminist Critique on Penelope Lively’s Moon Tiger and The Photograph
  • •  Shuiqing Yu   
    •  Yilin Gong   
    • p1
    •  PDF 
      
• • Study of Memory and Imagination in Updike’s Works
  • •  Qingzheng Liu   
    • p7
    •  PDF 
      
• • “Unharmonious Concerto”: Music and Alienation in Nocturnes: Five Stories of Music and Nightfall
  • •  Yilin Gong   
    •  Shuiqing Yu   
    • p15
    •  PDF 
      
• • Translation Strategies in Consumer-Oriented Texts: Are They Always TT-Oriented?
  • •  Alhanouf Alrumayh   
    • p21
    •  PDF 
      
• • A Reading of Feminism and Camp in David Henry Hwang’s Play M. Butterfly
  • •  Min Zou   
    • p30
    •  PDF 
      
• • Analysis of the Vocabulary Ambiguity in Rappaccini’s Daughter from the Perspective of New Criticism
  • •  Xian Wu   
    • p38
    •  PDF 
      
• • Extension of Mind in Narrative Form: The Trueblood Episode in Ralph Ellison’s Invisible Man
  • •  Meiling Fu   
    • p43
    •  PDF 
      
• • Effects of Mind Map Integrated Project-Based Learning on the Reduction of English Speaking Anxiety on Chinese Undergraduates
  • •  Zhinan Li   
    •  Samah Ali Mohsen Mofreh   
    •  Chen Jiao   
    •  Aihua Zhu   
    • p48
    •  PDF 
      
• • An Ecofeminist Interpretation of As I Lay Dying
  • •  Shuhua Hou   
    • p56
    •  PDF 
      
• • Reviewer Acknowledgements for English Language and Literature Studies, Vol. 13, No. 4
  • •  Alice Ding   
    • p61
    •  PDF 
      

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