Abstract

Mobility holds profound ethnic, class, and cultural significance in the fiction of the contemporary American writer Richard Ford. Through an analysis of his representative works, including Independence Day, The Lay of the Land and Let Me Be Frank with You, it becomes evident that Ford portrays the “negative mobility” of African Americans under spatial isolation, the transnational mobility of a Chinese immigrant, and the upward social mobility of both groups. In doing so, Ford illuminates disparities in mobility rights, routes, and friction among different ethnic groups, while also revealing shifts in their social status, values, and sense of identity. Furthermore, Ford reflects upon the social reality wherein ethnic minority groups encounter othering and marginalization upon integration into mainstream American society. This exposure lays bare the widespread systemic racial discrimination and deficiencies within the American political and economic system. Additionally, Ford’s depiction of upward social mobility among ethnic minorities underscores the effectiveness of the politics of difference as a means to resist authority and construct ethnic identity. Focusing on the mobility of ethnic minorities deepens our understanding of the survival dilemma and identity crisis faced by them.

This work is licensed under a Creative Commons Attribution 4.0 License.