Abstract

Xunwu Diaocha (Report from Xunwu) by Mao Zedong was abundant in original material and local people’s language and characterized by the Hakka culture, including the local Hakka dialect and vernacular, social customs, foods and tools, and other aspects. This makes it difficult for non-Hakka Chinese to understand its contents, let alone English speakers who know nothing about Hakka. In attempting to make the translation smoothly understood by English speakers while not losing the Hakka flavor, American translator Roger Thompson has done a good job. By comparing Xunwu Diaocha (the original) with its English version Report from Xunwu translated by Roger R. Thompson, this paper analyzes the English expressions of the Hakka culture and discovers four translation strategies that the translator has adopted to achieve the goal of cultural representation. The strategies are Chinese Pinyin plus explanation, literal translation plus explanation, free translation plus Chinese Pinyin, and free translation plus explanation. The study reveals that through the above-mentioned strategies, the translation has well represented the Hakka culture and realizes cultural representation in its translation. Hopefully the strategies employed to represent the Hakka culture can serve as solid guidance for translations of other texts involving rich cultures.

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