The Tragic Spirit of Shostakovich’s Vocal Cycle
- Mizhong Lin
Abstract
Tragedy is an important aesthetic form. And the tragic spirit is a sense of tragedy reflected by both the artist and the artistic work. On the one hand, the tragedy spirit of Shostakovich's vocal cycle comes from the aesthetic preference of the Russian nation, traditional art and the unfortunate fate of the composer himself, and on the other, it is also expressed via the description of death, pessimistic love and the suffering of life. The various composing techniques are the most reliable communication tool for the tragedy spirit of vocal cycle.- Full Text: PDF
- DOI:10.5539/ass.v11n22p10
This work is licensed under a Creative Commons Attribution 4.0 License.
Journal Metrics
Index
- Academic Journals Database
- BASE (Bielefeld Academic Search Engine)
- Berkeley Library
- CNKI Scholar
- COPAC
- EBSCOhost
- EconBiz
- Elektronische Zeitschriftenbibliothek (EZB)
- Excellence in Research for Australia (ERA)
- Genamics JournalSeek
- GETIT@YALE (Yale University Library)
- Harvard Library
- IBZ Online
- IDEAS
- Infotrieve
- JournalTOCs
- LOCKSS
- MIAR
- Mir@bel
- NewJour
- OAJI
- Open J-Gate
- PKP Open Archives Harvester
- Publons
- Questia Online Library
- RePEc
- SafetyLit
- SHERPA/RoMEO
- Standard Periodical Directory
- Stanford Libraries
- Technische Informationsbibliothek (TIB)
- The Keepers Registry
- Universe Digital Library
- VOCEDplus
- WorldCat
Contact
- Jenny ZhangEditorial Assistant
- ass@ccsenet.org