The Origin of Blue-and-white and the Birth of Symbols
- Feng Zhu
- Jie Shao
Abstract
As the distinguished representation of Chinese industrial art, blue-and-white porcelain shows the soul of Chinese traditional industrial culture. However, to combine porcelain research with symbolism theories is a process of symbolization. Firstly, the researches on blue-and-white porcelain are part of Chinese traditional industrial art and technology engineering researches while symbolism is a modern study evolved from western linguistics in the 20th century, which is closely connected with structure theories and covers almost all human sciences. To establish inner relationship with good logic and clear intention between China and the western world, tradition and modern, and technology and art is first a typical meaning-endowing behavior.- Full Text: PDF
- DOI:10.5539/ass.v5n5p77
This work is licensed under a Creative Commons Attribution 4.0 License.
Journal Metrics
Index
- Academic Journals Database
- BASE (Bielefeld Academic Search Engine)
- Berkeley Library
- CNKI Scholar
- COPAC
- EBSCOhost
- EconBiz
- Elektronische Zeitschriftenbibliothek (EZB)
- Excellence in Research for Australia (ERA)
- Genamics JournalSeek
- GETIT@YALE (Yale University Library)
- Harvard Library
- IBZ Online
- IDEAS
- Infotrieve
- JournalTOCs
- LOCKSS
- MIAR
- Mir@bel
- NewJour
- OAJI
- Open J-Gate
- PKP Open Archives Harvester
- Publons
- Questia Online Library
- RePEc
- SafetyLit
- SHERPA/RoMEO
- Standard Periodical Directory
- Stanford Libraries
- Technische Informationsbibliothek (TIB)
- The Keepers Registry
- Universe Digital Library
- VOCEDplus
- WorldCat
Contact
- Jenny ZhangEditorial Assistant
- ass@ccsenet.org