Abstract

This paper studies the inherent representation of "white-yarn-ground female coats with sprinkled thread embroidery of drama characters" and the narrative of the clothing pattern. Through the in-depth analysis of its inherent characteristics, the identity of its consumption and the process of production sequence can be inferred, which can provide a basis for the subsequent researchers to refine the study of the figure pattern. Through the narrative structure of multiple scenes, it is proved that the layout of the clothing pattern is an extension variant of "Tuanke", and made an in-depth interpretation of the narrative content in "TuanKe".

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