Abstract

The modernization process of Chinese orchestras has been ongoing for nearly a century, andnd the most important factor influencing this process is the Western music system. This study reviews the historical evolution of modern Chinese orchestras and reveals the diverse influences of Western music systems on their development. These influences appear in multiple dimensions, including orchestra structure, instrumental reform, and the growth of Chinese orchestral conductors. Through a systematic literature review drawn from major academic databases such as Web of Science, Scopus, ProQuest, and CNKI, the authors follow the transformation of Chinese orchestras from early prototypes like the Datong Music Society to their modernization in the twenty-first century. The analysis is guided by Julia Shpinitskaya`s Multicultural Texts Theory, which provides the theoretical framework for examining cross-cultural interactions. It sparks discussions on topics like the emergence of new cultures and cultural colonialism. Ultimately, the research concludess that the modernization of Chinese national orchestral music is a new cultural product created by the integration of foreign elements into the local music culture. Therefore, postcolonial critiques should not completely negate the Western music system, and future progress should rely on innovative synthesis rather than straightforward replication.

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