An Analysis on the Influence of Line in Chinese and Western Painting on Visual Shaping Language
- Jianqiu Sun
- Chang Xiao
Abstract
The line of western painting, a rational painting element possessing the meaning of interpretation, is in pursuit of shaping and creating exact outer body shapes; the line of Chinese painting, besides delineating body shapes, stresses the spatial organization relationship of lines. The line of Chinese painting contains independent aesthetic value, “lines are for shaping” and conveys philosophy concept of eastern culture “the union of heaven and humans”. This paper helps readers to understand and master historical development process of line in Chinese and western painting and compares and describes the differences and similarities of line in western and eastern art and their influences on visual shaping language.- Full Text: PDF
- DOI:10.5539/ass.v4n2p112
This work is licensed under a Creative Commons Attribution 4.0 License.
Journal Metrics
Index
- Academic Journals Database
- BASE (Bielefeld Academic Search Engine)
- Berkeley Library
- CNKI Scholar
- COPAC
- EBSCOhost
- EconBiz
- Elektronische Zeitschriftenbibliothek (EZB)
- Excellence in Research for Australia (ERA)
- Genamics JournalSeek
- GETIT@YALE (Yale University Library)
- Harvard Library
- IBZ Online
- IDEAS
- Infotrieve
- JournalTOCs
- LOCKSS
- MIAR
- Mir@bel
- NewJour
- OAJI
- Open J-Gate
- PKP Open Archives Harvester
- Publons
- Questia Online Library
- RePEc
- SafetyLit
- SHERPA/RoMEO
- Standard Periodical Directory
- Stanford Libraries
- Technische Informationsbibliothek (TIB)
- The Keepers Registry
- Universe Digital Library
- VOCEDplus
- WorldCat
Contact
- Jenny ZhangEditorial Assistant
- ass@ccsenet.org